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Current Exhibitions

A photo from the exhibition Oblique Views: Archaeology, Photography, and Time

Oblique Views: Archaeology, Photography, and Time

October 25, 2015 through May 7, 2017

For the first time in Oblique Views: Archaeology, Photography, and Time, large prints of Heisey’s stunning images will be paired directly with the Lindberghs’. The exhibition opens October 25, 2015 and runs through May 7, 2017 at the Museum of Indian Arts and Culture.

During 2007 and 2008, flying at alarmingly low altitudes and slow speeds, Adriel Heisey leaned out the door of his light plane, and holding his camera with both hands, re-photographed some of the Southwest’s most significant archaeological sites that Charles Lindbergh and his new bride Anne photographed in 1929.




Standing Rock
Standing Rock in Canyon del Muerto. This scene is much like that in 1929, except that the stream has changed its course and the field is now planted in a more standard linear layout. The field is smaller than in 1929 because a small slump of debris from the canyon wall to the left extends farther than it used to. Perhaps in response, additional fields have been planted. Photograph by Adriel Heisey, 2008.



Standing Rock
Standing Rock in Canyon del Muerto. An archaeological site dating between AD 1100 and 1300 is visible on the lower bench of Standing Rock, closest to the viewer. A circular arrangement of plants in a Navajo field, visible to the left of the rock, suggests that it was an orchard or, less likely, that a center-pivot irrigation system was used there. Photograph by Charles A. and Anne Morrow Lindbergh, 1929.



White House Ruin
White House Ruin is composed of two parts: a larger room block on the canyon floor that rose to four stories high in the back, and another set of rooms built in a rock shelter immediately above. The upper rooms could have been reached from the fourth-story roof of the lower structure. The bulging, stained walls of the rock face above the rock shelter have made the site a favorite photographic subject. Timothy O’Sullivan photographed the site in the mid-1870s, and it has been well photographed ever since, including by Ansel Adams. Photograph by Charles A. and Anne Morrow Lindbergh, 1929.



Santa Fe
While still not large, Santa Fe has grown remarkably since 1929. Houses cover the areas that were once farmed, and flat roofs around the Plaza dominate the scene. The Palace of the Governors (now backed by the New Mexico History Museum), the New Mexico Museum of Art, the cathedral, and other beloved buildings are still in use. The Roundhouse has replaced the old capitol building, which was remodeled and converted to administrative use. The river still flows through Santa Fe, at least seasonally, but it is less visible among the sea of buildings that engulf it. A few solar panels show environmental investment by individuals. Photograph by Adriel Heisey, 2015.