Galisteo
Galisteo is now considered statistically part of the Santa Fe metropolitan area, although it is still remote and has a population of less than three hundred people. It is home to a number of well-known artists and scholars, as well as families traditionally linked to the area, none of whom farm on the scale of the past. Galisteo Creek no longer washes away vegetation in the streambed, which now appears to be a lush forested strip. The church and cemeteries remain, as does the layout of the colonial village. Traces of the old narrow fields can still be seen. Photograph by Adriel Heisey, 2015.

Pueblo del Arroyo
In the years since the Lindberghs took their photograph of Pueblo del Arroyo, Chaco Wash has been channelized and the arroyo banks have been rebuilt around the tri-walled structure. Most but not all of the pueblo rooms excavated by Judd are still open; some have been backfilled to add stability to the structure. Most of the historic features visible in the Lindbergh photograph have been removed by the National Park Service, although Chaco Canyon Cemetery, burial place of Richard and Marietta Wetherill and present but largely invisible in 1929, can easily be seen against the canyon wall. The park service has added a paved road, a parking lot, and trails for visitors touring the site. Controlling the wash and the removal of grazing stock animals have allowed the vegetation in the canyon to recover. Photograph by Adriel Heisey, 2008.

Standing Rock
Standing Rock in Canyon del Muerto. This scene is much like that in 1929, except that the stream has changed its course and the field is now planted in a more standard linear layout. The field is smaller than in 1929 because a small slump of debris from the canyon wall to the left extends farther than it used to. Perhaps in response, additional fields have been planted. Photograph by Adriel Heisey, 2008.

White House Ruin
White House Ruin is composed of two parts: a larger room block on the canyon floor that rose to four stories high in the back, and another set of rooms built in a rock shelter immediately above. The upper rooms could have been reached from the fourth-story roof of the lower structure. The bulging, stained walls of the rock face above the rock shelter have made the site a favorite photographic subject. Timothy O’Sullivan photographed the site in the mid-1870s, and it has been well photographed ever since, including by Ansel Adams. Photograph by Charles A. and Anne Morrow Lindbergh, 1929.