Current Exhibitions

A photo from the exhibition Oblique Views: Archaeology, Photography, and Time

Oblique Views: Archaeology, Photography, and Time

Oct 25, 2015 — May 7, 2017

For the first time in Oblique Views: Archaeology, Photography, and Time, large prints of Heisey’s stunning images will be paired directly with the Lindberghs’. The exhibition opens October 25, 2015 and runs through May 7, 2017 at the Museum of Indian Arts and Culture.

During 2007 and 2008, flying at alarmingly low altitudes and slow speeds, Adriel Heisey leaned out the door of his light plane, and holding his camera with both hands, re-photographed some of the Southwest’s most significant archaeological sites that Charles Lindbergh and his new bride Anne photographed in 1929.




Galisteo
Galisteo is now considered statistically part of the Santa Fe metropolitan area, although it is still remote and has a population of less than three hundred people. It is home to a number of well-known artists and scholars, as well as families traditionally linked to the area, none of whom farm on the scale of the past. Galisteo Creek no longer washes away vegetation in the streambed, which now appears to be a lush forested strip. The church and cemeteries remain, as does the layout of the colonial village. Traces of the old narrow fields can still be seen. Photograph by Adriel Heisey, 2015.



Standing Rock
Standing Rock in Canyon del Muerto. This scene is much like that in 1929, except that the stream has changed its course and the field is now planted in a more standard linear layout. The field is smaller than in 1929 because a small slump of debris from the canyon wall to the left extends farther than it used to. Perhaps in response, additional fields have been planted. Photograph by Adriel Heisey, 2008.



White House Ruin
White House Ruin is composed of two parts: a larger room block on the canyon floor that rose to four stories high in the back, and another set of rooms built in a rock shelter immediately above. The upper rooms could have been reached from the fourth-story roof of the lower structure. The bulging, stained walls of the rock face above the rock shelter have made the site a favorite photographic subject. Timothy O’Sullivan photographed the site in the mid-1870s, and it has been well photographed ever since, including by Ansel Adams. Photograph by Charles A. and Anne Morrow Lindbergh, 1929.



Standing Rock
Standing Rock in Canyon del Muerto. An archaeological site dating between AD 1100 and 1300 is visible on the lower bench of Standing Rock, closest to the viewer. A circular arrangement of plants in a Navajo field, visible to the left of the rock, suggests that it was an orchard or, less likely, that a center-pivot irrigation system was used there. Photograph by Charles A. and Anne Morrow Lindbergh, 1929.






Now on Exhibit

Painted Reflections
Isomeric Design in Ancestral Pueblo Pottery

February 6, 2022 through March 12, 2023

ReVOlution
MIACís 2022 Living Treasure, Virgil Ortiz (Cochiti)

May 1, 2022 through April 1, 2023

Here, Now and Always
Opening July 2, 3, 2022

July 2, 2022 through July 2, 2024