Turquoise, Water, Sky: The Stone and Its Meaning
April 13, 2014 through May 2, 2016
Young Man with Bow Guards (Ketoh)
The Navajo (Diné) and Hopi developed an arm guard to provide protection while shooting an arrow from a bow called a ketoh. It is often sports a central motif, decorated with silver and turquoise. While functional they are normally personal and ritual adornment.
Bracelet, 1920–30, Navajo. Silver, Fox Mine turquoise. Museum of Indian Arts and Culture/Laboratory of Anthropology (10189). Photograph by Blair Clark.
Turquoise, Water, Sky: The Stone and Its Meaning highlights the Museum’s extensive collection of Southwestern turquoise jewelry and presents all aspects of the stone, from geology, mining and history, to questions of authenticity and value.
People in the Southwest have used turquoise for jewelry and ceremonial purposes and traded valuable stones both within and outside the region for over a thousand years. Turquoise, Water, Sky presents hundreds of necklaces, bracelets, belts, rings, earrings, silver boxes and other objects illustrating how the stone was used and its deep significance to the people of the region. This comprehensive consideration of the stone runs through May 2, 2016.
Many of the materials that accompany turquoise on southwestern jewelry come from oceans, reinforcing the water symbolism of turquoise. Here the raw materials are shown beside jewelry made from them. Raw materials are jet (Cat # 40885/12, 7” by 3.5 inches); abalone (Cat # 36751/12, 5” by 6.5”); spiny oyster or Spondylus sp. shell (Cat# 57795/12, 5” by 5”); and coral (Cat# 57808/12, 4” wide by 3” long). The earrings (Cat#36134/12a,b, 1.1” by 1.3” each) were made by Hopi artist Talaqumptewa and are made of cottonwood, turquoise, abalone, and cotton cordage . The necklace (Cat # 57080/12, 17”long) was made in Santo Domingo Pueblo of turquoise, coral, jet, spiny oyster, mother-of-pearl, silver, and fiber.