Landscape of an Artist: Living Treasure Dan Namingha
March 20, 2016 through September 11, 2016
Public Opening on Sunday, March 20, 2016
Screening of Dan Namingha: Seeking Center in Two Worlds at 1:00p.m.
Q&A with Dan Namingha at 2:00p.m.
Every year at the Museum of Indian Arts and Culture’s Native Treasures: Indian Arts Festival, the museum chooses to honor an artist as a MIAC Living Treasure. This year, Dan Namingha (Hopi-Tewa) is being honored as the MIAC Living Treasure and 2016 Native Treasures Featured Artist.
Born and raised on the Hopi reservation, Dan Namingha’s work is inspired by the Southwest region and subjects within his culture. For the past five decades his work has continuously evolved as he has refined his studio practice by experimenting with different mediums and techniques. Throughout this evolution, Namingha has employed alterations and abstractions to give the viewer a mere impression or glimpse of the subjects and landscapes. This process allows him to share sacred aspects of his culture in familiar forms with the public, while still protecting the sanctity of his Hopi and Tewa culture. Namingha’s work has garnered praise and has been well received on both the national and international art scene at numerous exhibitions. This March, MIAC invites you to help us honor Namingha’s achievements and explore the Landscape of an Artist: Living Treasure Dan Namingha.
The Life and Art of Innovative Native American Artist and Designer Lloyd Kiva New
February 14, 2016 through December 30, 2016
This year is the centennial of the birth of seminal Native American artist Lloyd Kiva New, and three Santa Fe arts institutions are celebrating this anniversary in style. Locally, New, a Cherokee, is known as the Institute of American Indian Art’s (IAIA) first artistic director, yet nationally, Native people refer to him as the "Godfather of Native Fashion."
Museum of Indian Arts and Culture’s career retrospective A New Century: The Life and Legacy of Cherokee Artist and Educator Lloyd "Kiva" New (February 14 through December 30, 2016). A New Century is a mesmerizing look into New’s storied life from his humble beginnings on the family farm in Oklahoma to the burgeoning days at IAIA. In between he strides the decks of the USS Sanborn during World War II and the halls of the Art Institute of Chicago. Opening successive and successful boutiques and craft centers in the gleaming post-war enclave of Scottsdale, Arizona. New was a pioneer in the worlds of fashion, entrepreneurship, and Native art instruction. His vision of cultural studies and creative arts education continues to influence and inspire. Through personal recollections, photos, archival documents, and objects pour la couture, New Century: The Life and Legacy of Cherokee Artist and Educator Lloyd "Kiva" New reviews the life of this American Indian visionary.
The Museum of Indian Arts and Culture, the IAIA Museum of Contemporary Native Arts, and the New Mexico Museum of Art will each present an exhibition in 2016 focusing on key aspects of Lloyd Kiva New’s (b. 1916 - d. 2002) significant contributions to contemporary Native culture. Additionally, the three institutions are planning a symposium, multiple lectures, panel discussions, a fashion show, Gala, and, as pure celebration, a 100th birthday party.
Indian Country: The Art of David Bradley
February 15, 2015 through January 16, 2016
Indian Country: The Art of David Bradley opens at the Museum of Indian Arts and Culture February 15, 2015 and runs through January 16 2016. On view will be 32 works of art spanning his career, including paintings, mixed media works, and bronze sculptures.
Courage and Compassion: Native Women Sculpting Women
November 2, 2014 through October 19, 2015
First exhibit of its kind featuring leading American Indian Women sculptors of 20th and 21st centuries
Courage and Compassion: Native Women Sculpting Women opens at the Museum of Indian Arts and Culture Nov. 2, 2014 and runs through Oct. 19, 2015. The exhibition features figures of women sculpted by seven American Indian women artists. Most of the ten works on view will be in the museum’s outdoor Roland Sculpture Garden.
There is a long history of sculpting among the indigenous peoples of the Americas. The artists in Courage and Compassion, while contemporary in their approach are steeped in tradition. Using the same materials as their ancestors did thousands of years ago, the works presented draw on cultural influences of those who have gone before
Footprints: The Inspiration and Influence of Allan Houser
August 3, 2014 through June 1, 2015
The Museum of Indian Arts and Culture is proud to honor the hundreth birth year of Allan Houser with this exhibition of his sculptures and those of thirteen Native American artists whose lives he changed forever. Larry Ahvakana, Don Chunestudey, Cliff Fragua, Craig Dan Goseyun, Rollie Grandbois, Bob Haozous, Phillip Mangas Haozous, Doug Hyde, Oreland Joe, Tony Lee, Estella Loretto, Bill Prokopiof and Robert Shorty
Turquoise, Water, Sky: The Stone and Its Meaning
April 13, 2014 through May 30, 2016
Turquoise, Water, Sky: The Stone and Its Meaning highlights the Museum’s extensive collection of Southwestern turquoise jewelry and presents all aspects of the stone, from geology, mining and history, to questions of authenticity and value. Hundreds of necklaces, bracelets, belts, rings, earrings, silver boxes and other objects illustrate the stone’s use and its deep significance to the people of the region.
Native American Portraits: Points of Inquiry
February 16, 2014 through January 5, 2015
More than 50 images from the Palace of the Governors Photo Archives - along with contemporary images by Native photographers - document the changing perceptions of Native peoples over a span of almost 100 years.
Triumph TR8 in MIAC lobby
October 27, 2013 through December 30, 2013
A 1974 Triumph TRB decorated by Hopi Tewa artist Dan Namingha and nine other Native American artists is parked in the lobby of the Museum of Indian Arts and Culture (MIAC), a symbol of a broadened approach by the museum to create partnerships with other area institutions that share a mission in honoring and perpetuating Native art and education.
Just as 10 artists collaborated to turn the car into an art piece, now MIAC is collaborating with the Institute of American Indian Arts (IAIA) to ensure Native American students are prepared to fill positions at museums that reflect their peoples’ art and culture.
Gift of Elizabeth Sackler and on view in MIAC lobby.
Heartbeat: Music of the Native Southwest
September 29, 2013 through September 8, 2015
A celebration of sight, sound, and activity for visitors of all ages, Heartbeat: Music of the Native Southwest, opens Sunday, September 29, 2013 at the Museum of Indian Arts and Culture. Over 100 objects relating to Southwestern Native dance and music will be featured, including a flute made by Grammy award-winning artist Robert Mirabal of Taos Pueblo.
Collectively used for indigenous ritual performance, the drums, flutes, rasps, rattles, and clothing featured in the exhibition convey a richly layered message. Music, too, is integral to the ceremony—it is more than accompaniment for the dancers; each song is a prayer providing a pathway to the here and now and to the worlds beyond.
The opening on Sunday, September 29, 2013 from 1 to 4 p.m. will feature performances, demonstrations, hands-on activities for the entire family, and refreshments provided by the Women’s Board of the Museum of New Mexico.
What’s New in New: Recent Acquisitions
February 17, 2013 through December 30, 2013
What’s New in New: Recent Acquisitions is the Museum of Indian Arts and Culture’s annual exhibition of new acquisitions celebrating the gallery’s namesake, Lloyd Kiva New. What’s New in New opens on Sunday, February 17, 2013 from 1 to 4 p.m. and runs through December 30, 2013. The Women’s Board of the Museum of New Mexico will serve refreshments in honor of Kiva New’s birthday anniversary. Curator Tony Chavarria’s focus with this show is on modern and contemporary Native art including paintings, monotypes, poetry, and sculpture created between 1968 and 2012.
They Wove for Horses: Diné Saddle Blankets
March 25, 2012 through August 18, 2013
They Wove for Horses: Diné Saddle Blankets opens at the Museum of Indian Arts and Culture on March 25, 2012 (on long-term view). The exhibition highlights both the textile-weaving proficiency of Diné weavers who produced complex saddle blankets for all occasions and the design skills of Diné silversmiths who created dazzling headstalls of silver and turquoise.The saddle blankets on exhibit date from 1860 to 2002 and are arranged by weaving methods: tapestry weave; two-faced double weave; and twill weaves of diagonal, diamond, and herringbone patterns. By using a variety of warp and weft yarns—natural wool, cotton, angora mohair, unraveled bayeta, and Germantown—weavers added individuality to the everyday and fanciful tapestries they created for horses.Horse trappings on exhibit reveal the great pride that Diné horsemen took in their horses and how they adorned them for ceremonial and social events. The Diné first learned how to manufacture saddles and bridles from neighboring cultures and their proficiency quickly surpassed that of their mentors. That devotion resonates still, as the horse remains a viable living force in Diné life today.
Margarete Bagshaw: Breaking the Rules
February 12, 2012 through December 30, 2012
Margarete Bagshaw: Breaking the Rules features more than 30 paintings (some on sculpted wood panels), bronze and clay as wall art and multi-colored ceramic vessels that demonstrate the breadth and multi-dimensionality of Margarete Bagshaw's work.
November 20, 2011 through February 24, 2014
Woven Identities features baskets woven by artists representing 60 cultural groups in six culture areas of Western North America: The Southwest, Great Basin, Plateau, California, the Northwest Coast, and the Arctic.All objects tell a story, if you know the right questions to ask. At the time the baskets in this exhibition were collected little to no information was recorded; the weaver’s names are largely unknown. Nonetheless, each basket has an identity, a woven identity. The identity of each basket—where it was made; when it was made; who made it; who it was made for; why it was made—by “reading” its individual characteristics.
Creative Spark! : The Life and Art of Tony Da
February 13, 2011 through December 31, 2011
Creative Spark: The Life and Art of Tony Da is the artist’s first comprehensive museum retrospective. On view will be the largest group of Da’s paintings and pottery ever gathered in one place. The exhibition opens at the Museum of Indian Arts and Culture on February 13, 2011 running through December 31, 2011.
Huichol Art and Culture: Balancing the World
April 11, 2010 through February 12, 2012
For the first time, the Museum of Indian Arts and Culture/Laboratory of Anthropology presents a significant collection of Huichol art from the early part of the last century in Huichol Art and Culture: Balancing the World. The exhibition opens at the Museum of Indian Arts and Culture April 11, 2010 and has now been extended to run through February 12, 2012. There are important ties between Huichol work and Native American, prehispanic, and Hispanic art histories and cultures. Known today for colorful, decorative yarn paintings, the origins of modern Huichol art are found in the earlier Huichol religious arts of the Robert M. Zingg ethnographic collection at the Museum of Indian Arts and Culture.
Harry Fonseca: In the Silence of Dusk
February 14, 2010 through January 2, 2011
The exhibition Harry Fonseca: In the Silence of Dusk focuses on four series of paintings that explore the transformative and mythic forces that Fonseca perceived in himself and the world around him. The painting series include In the Silence of Dusk, Stone Poems, St. Francis of Assisi; and Seasons. While not a retrospective, the exhibition explores Fonseca’s body of work as it changes focus from stylized but representational studies based on his Native American heritage to more abstract explorations of his world to non-objective compositions celebrating color. All of the works in the exhibition are courtesy of the Harry Fonseca Trust. The exhibition opens at the Museum of Indian Arts and Culture on Sunday, February 14, 2010, 1:00-4:00 p.m. and runs through January 2, 2011.
Native Couture II: Innovation and Style
August 30, 2009 through February 21, 2010
Native Couture II: Innovation and Style opens at the Museum of Indian Arts and Culture on Sunday, August 30, 2009. This exhibition explores the history of Native fashion from hand-made clothing and accessories of the 1880s that influenced the development of a Santa Fe Style, to today’s contemporary Native couturiers. At its root, Indian art is the quintessential original American art. This centuries-long influence of Native American art requires the buyer, or wearer, and the American public in general to ponder the origins of a truly unique American style.
Native American Picture Books of Change
February 15, 2009 through January 2, 2010
Native American Picture Books of Change—is an exhibition of original works by Hopi, Navajo, Apache, and Pueblo artists who illustrated children's books in the 1920's through today. Based on the book of the same title by Rebecca Benes, the exhibition focuses on illustrations in Native American children’s books of the last century. Emerging Indian artists illustrated the stories for Indian students based on Native oral traditions and narratives about everyday Indian life.
A River Apart
October 19, 2008 through October 2, 2011
Two major rivers and their tributaries - the Colorado River and the Rio Grande - have shaped both the landscape and the distribution of indigenous villages. Neighboring New Mexico pueblos on the banks of the northern Rio Grande - just a river apart - the communities of Cochiti and Santo Domingo share a ceramic tradition extending back almost 1,500 years. This permanent collection - A River Apart - preserves these iconic cultural representatives.
Comic Art Indigène
May 11, 2008 through January 4, 2009
Comic Art Indigène looks at how storytelling has been used through comics and comic inspired art to express the contemporary Native American experience.
December 16, 2007 through April 21, 2009
Santa Fe style represents a state of mind, it is not just jewelry and clothing but a feeling inside, a sense of place and that total belief in the Navajo saying, “Walk in beauty.”
Spider Woman’s (NA ASHJE’II ’ASDZÁÁ) Gift
May 14, 2007 through September 2, 2007
Spider Woman’s (Na ashje’ii 'Asdzáá) Gift: Navajo Weaving Traditions, a long-term exhibition, features weavings from the 1850s through the 1890s—the Classic and Transitional periods.